Oil On Canvas, Real Flavor of Old Masters

All William Bell Scott 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
86002  
Ariel and Caliban, William Bell Scott
 
 Ariel and Caliban   1865(1865) Medium Oil on canvas Dimensions 61 x 77.5 cm (24 x 30.5 in) cyf
82536  
Ariel and Caliban by William Bell Scott, William Bell Scott
 
 Ariel and Caliban by William Bell Scott   Date 1865(1865) Medium Oil on canvas Dimensions 61 x 77.5 cm (24 x 30.5 in) cjr
28179  
Iron and Coal, William Bell Scott
 
 Iron and Coal   1861 Oil on canvas 186.6 x 187.9 cm (73 3/4 x 74 in) Wallington House, Northoumberland (mk63)
53406  
Iron and Coal, William Bell Scott
 
 Iron and Coal   mk231 1855-60 Oil on canvas 74x74in
26000  
Landscape with a Gate and Watermeadow (mk46), William Bell Scott
 
 Landscape with a Gate and Watermeadow (mk46)   1865 Watercolour and bodycolour 25x35.2cm Maidstone Museum and Art Gallery
28178  
The Romans Cause a Wall to be Built for the Protection of the South, William Bell Scott
 
 The Romans Cause a Wall to be Built for the Protection of the South   1857 Oil on canvas 182 x 182 cm (17 x 5/8 x 71 5/8 in) Wallington House Northumberland (mk63)

William Bell Scott
1811-1890 Brother of David Scott. He trained at the Trustees' Academy in Edinburgh and was taught engraving by his father. He saw the family print workshop as 'the lineal descendant of Albert Derer's factory in Nernberg'; he was later to own a fine collection of D?rer's prints and write a book about him (1870). In 1837 he went to London, where he was impressed by 'a new and interesting school of historical and loosely speaking, inventive and illustrative painters'. This encouraged him to leave landscape painting for the time being and become a history painter. Like his brother, he entered a cartoon for the Westminster Hall competition in 1842: the Free North Britons Surprising the Roman Wall between the Tyne and Solway; this too was unsuccessful. In 1843, discouraged by lack of patronage in London, he accepted the Mastership of the Government School of Design at Newcastle upon Tyne, where he stayed for 20 years, visiting London each summer.



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